8/25/2023 0 Comments Suspiria undercover clothing“Contrary to Call Me by Your Name, in which the biggest work was what not to put on and to be very minimal, with Suspiria there was no limit,” Piersanti, a freelance designer who works with luxury brands like Céline, tells Vulture. Piersanti has worked with Guadagnino twice before, on A Bigger Splash and CMBYN - yes, she is responsible for Armie Hammer’s instantly classic boxy button-downs and short-shorts - but the setting and the circumstances of Suspiria gave her a chance to create a more extravagant wardrobe than those previous films. As much as Guadagnino wants you to see and hear Suspiria, he wants you to feel it in your chest, to be immersed in the total experience of it - and that is where costume designer Giulia Piersanti comes in to cast her sartorial spells. Such a modus operandi means wardrobe and styling are essential to the world-building. From I Am Love to Call Me by Your Name, the characters in a Guadagnino film are all living deliciously, even if they’re frequently racked by heartbreak or, in the case of Suspiria, groomed for dark uses by extraordinarily powerful witches. Guadagnino makes great movies, full stop, but integral to his filmmaking style is … an overabundance of style. Are ribs cracking out of place and bones bursting through skin and barrels of blood too much for you? Take a few bathroom breaks or use those opportunities to re-up your Junior Mints stash, but then settle back into your seat for inter-coven politicking and an array of 1970s period clothing that you’d sacrifice someone in a Black Sabbath to keep. But we encourage you to at least try and gut out (pun definitely intended!) this 2018 remake of Dario Argento’s signature film from 1977, because not only is it a timely, provocative horror picture about an entirely feminine micro-society that revolves around dance and witchcraft, it’s also about 150 minutes of straight-up clothing porn. If you’re a film lover with a soft constitution, there are a few scenes of virtuoso violence in Luca Guadagnino’s Suspiria that might warn you off the picture entirely.
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